Wednesday June 11th
Thursday June 12th

Panhandle Dirt
A 5-piece band based out of Woodward Oklahoma formed in the Spring of 2015 spreading
our own brand of original Oklahoma-grown red dirt music to the ears of the tri-state area.
Studio Albums include:
“Made In Oklahoma” 2018
“Tattooed Trains” 2021
Bowdy Peach – Rhythm Guitar, Vocals
Dakota Davis- Lead Guitar. Vocals
Yanuel Charriez - Lead Guitar, Vocals
Dillon Devine- Bass Guitar, Vocals
Patrick Devine- Drums
Get Some Dirt In Your Ears!
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Brady Nichols
In 2019 Brady injured his left forearm at work. The only thing he could think of after that was if he would still be able to play guitar again.. Even though he hadn't played in years. Music and being a country singer from western Kansas still seemed a little far fetched. Especially coming from a back ground of horses, cattle, and feedyards.
After the injury healed Brady got right to work trying to make music and see about actually making music his job. Then, like most of the world in 2020 everything came to a halt. After a long year or so in 2021 Brady took a job in a band called "Tripfire" playing lead guitar, and singing occasionally. Soon, wanting more out of the music, and wanting to travel, Brady went out on his own in 2022 playing any acoustic solo gig he could find. He once drove a beat down 2001 Ford Focus from Scott City, Kansas (his home) 9 hours south to Fredricksburg, Texas just to honkytonk and play a gig at a Winery near Luckenbach, Texas!
Flashing forward to the end of 2024 Brady has released 6 singles and played in several different states, handfuls of live shows later he has put together band called The High Plains Drifters. Brady plans to play more live shows with the band, release a still titled 12 track Album in January 2025.
Brady Nichols lives to play country music. It doesn't matter when or where it is. He'll be there singing to the crowd! Please enjoy!
Friday June 13th
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Braxton Keith
With a sound and style honed in the honky tonks of Texas and beyond, Braxton Keith is part of a newgeneration of country singer-songwriter–one leading a revival of its core creative tenants.
Featuring an earnest love of the ‘80s country aesthetic–and all but addicted to the rush of the stage–Keith has spent the last few years of life as a proud road dog, schooling new fans of the timeless powerof a revved up band and rich organic twang. But while his what-you-see-is-what-you-get approachremains firmly rooted in tradition, that doesn’t mean he’s staying put. This Warner Music Nashvillenewcomer lives one state line at a time.
“I love the honky tonk country twang and I wouldn’t trade it for anything,” the rising star explains.“But honestly, I’m just thinking about getting up and playing another show. This is just the beginning.This is where the hard work starts.”
A proud Texas native who these days splits time between San Antonio and Nashville, Keith was born inMidland, Texas, steeped in country mystique. Learning to play piano from his grandmother–a womanwho loved the Cadillac cool of stars like Porter Wagoner–he grew up singing, drawn like a magnet tothe sonic storytelling of gritty tunes like “The Carroll County Accident” (an all-time family favorite).
Diving deep into the pure-country form, Keith picked up a guitar and soon had a taste for hard twangand tales of the heart, writing his own classically-inspired songs in a grungy, cluttered garage. He nevertook it seriously until college, when a friend convinced the unknown-but-obvious talent to record one–just so he’d have something to share with his future kids.
“I did it–and I never stopped,” Keith says. “I caught this little honky tonk bug, and now I’m travelingthe country for a living. Started out writing songs in our garage, now I’m writing songs in Nashville.It’s crazy.”
Leaving school behind to earn his place in Texas’ vibrant live-music scene, Keith and a band ofbrothers have now been touring nonstop since 2020, racking up untold miles and hundreds offloorboard-shaking shows. Blending throwback-tonk with a sharp, barbed-wire vocal recalling starslike Tracy Lawrence (plus a little borderland buzz of San Antonio Spanish influence), Keith became aregular face in venues all across his home state, and then looked beyond.
Relentless nationwide touring and a series of self-released singles and EPs have helped build a solidsocial media following. He arrived in Nashville for the first time in 2021, and has since been fine-tuning his natural songwriting style–timeless tunesof love, loss and life steeped in the energy andattitude of a Texan dancehall, but made for a wider audience.
“There’s something romantic about the country music scene in Texas–it’s that connection with thatcrowd,” Keith explains. “It doesn’t matter what day of the week it is, whether it’s an old raggedy bar orwherever the hell you are, they’re going to show up, and I fell in love with creating moments withthose fans. I just try to imagine it’s a 90-minute show for me, but it’s a lifetime experience for them.”
Featured on taste-making playlists like Spotify’s New Boots and Breakout Country, Keith’s 2024 single“Cozy” leads the way for a new chapter, highlighting the rising star’s fresh take on a classic style. Asilky-smooth two-step with an unmistakable vocal tone, the clever, co-written message of warning for aromantic rival sets Keith apart from the pack.
“It’s a very different song–unlike anything I hear on country radio today,” he says. “It’s just a veryhonest, vibey, Ronnie Millsap-style ‘80s country song. In today’s world it’s an interesting song, andfrom the moment we wrote it I was like, ‘This issomething special.’”
More new music is planned for 2025 release, as Keith continues exploring the contours of a uniquelycountry sound and style. Merging past and present with the timeless edge of a band-leading troubadour,he’ll stay on the road, too, crossing time zones likehe’s gliding across a honky tonk floor.“
The touring never stops–especially for an artist like me,” he admits. “I hope people have a damngood time when they come out, and I hope the show was great. And if they pick up the record, I hopethey get a taste of that.”
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Saturday June 13th


Celebrating 37 years together and 34 years on country radio, 90s country music icon Little Texas has made a lasting mark with 12 Top 20 singles, including three consecutive No. 1 hits: "What Might Have Been," "My Love," and the unofficial Texas anthem, "God Blessed Texas." Since their debut album, 'First Time for Everything,' in 1991, Little Texas has ascended to become one of country music's top groups. Known for their hard work and dedication, they've sold over 7 million albums, earning the title of the "Hardest Working Band in Country Music." Their pivotal sophomore album, 'Big Time,' certified double-platinum, produced No. 1 singles and garnered multiple Grammy, CMA, and ACM nominations, winning the ACM for Top Vocal Group in 1994.
In 2024, Billboard named "God Blessed Texas" as No. 1 on their list of Best Country Songs featuring Texas in the Title. Adding to the song's legacy, country sensation Lainey Wilson opened the 2024 ACM Awards with her rendition of "God Blessed Texas." Embracing the resurgence of 90s country nostalgia, Little Texas continues to tour nationally, bringing their iconic sound to fans old and new.
Also in 2024, to commemorate the 30th anniversary of their hit "God Blessed Texas," 23 Texas artists collaborated on the tribute album A Lone Star Salute to Little Texas, reimagining six of the band's most iconic songs. The album features a star-studded lineup, including Randy Rogers Band, Josh Abbott Band, Casey Donahew, Aaron Watson, Rodney Crowell, Kevin Fowler, and Pat Green, who each brought their unique styles to a new rendition of "God Blessed Texas." Eli Young Band and George Birge offered a fresh take on "Amy's Back In Austin."
Reflecting on the significance of "God Blessed Texas," Randy Rogers shared, "This song made me proud to be from Texas. I discovered my love for country music right as this song was released, and I watched the video a thousand times. So this is truly a full circle moment for me." (Billboard)
Mike Eli of Eli Young Band expressed the impact of Little Texas on their musical journey, stating, "Their songs had a huge impact on the development of the band. I think that there were a lot of [Little Texas] songs that we tried out on the stage for us, and in turn, it helped in developing our own sound." (People magazine)